by Josh Dunham | May 17, 2020 | Espresso
It’s not every day that you get to see an animator’s raw creative and unbridled ability on display. What I mean by that are these little moments when the animator has such complete creative control over what they are drawing – today’s cut from...
by Josh Dunham | May 15, 2020 | Espresso
I think my favorite part of the clip for today’s Sakuga Espresso has got to be the first 15 seconds of Ryo Onishi’s cut from Dragonball Super: Broly. I find the way Goku moves absolutely captivating, so bouncy and child-like. I remember watching the clip...
by Josh Dunham | May 14, 2020 | Espresso
What I find most interesting about this clip is how little it actually shows us. This clip from the 1971 Lupin the 3rd is only seven seconds long, and has seven cuts. Easy math tells us that each cut only lasts on screen for a second, so it’s quite fast. But...
by Josh Dunham | May 13, 2020 | Espresso
I think sometimes we forget that good animation does not have to be flashy or lavish to be considered good. Yes, an objective element of technicality does have a large influence in the value judgement of a piece, but technicality and flashy are not the same thing....
by Josh Dunham | May 12, 2020 | Espresso
Let’s talk a little bit about ‘being on modal’. In animation, there are visual references that are established to help things looking consistent. Unlike live action films, the actors, sets, and scenery must all be drawn, and doing so where everything...
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