![Savin Yeatman-Eiffel about The 2 Queens & Saya no Uta’s adaptation – Interview [Archive – 02/2017]](https://fullfrontal.moe/wp-content/uploads/2022/02/The2Queens-400x250.jpg)
Savin Yeatman-Eiffel about The 2 Queens & Saya no Uta’s adaptation – Interview [Archive – 02/2017]
A few days ago, Savin Yeatman-Eiffel, founder and CEO of Sav! The World Productions announced a crowdfunding campaign, which goal is the distribution of a Blu-Ray of Oban Star-Racers [1], an anime series he directed and co-produced with Japan. The news reminded me of...
Toshiyuki Inoue discusses three decades of Mitsuo Iso – Interview
Toshiyuki Inoue is one of the most important animators in Japan. Nicknamed "the perfect animator" for his proficiency, ability, and range of expression going from cartoony deformation to absolute photorealism, Inoue is a legendary artist. Beginning his career in 1982,...
What to expect of fullfrontal.moe going into 2022
With 2022 close at hand, we, the staff at Full Frontal, wanted to share our future goals, upcoming projects and express our gratitude to all who have participated in our journey thus far! This post is intended to sum up the main talking points we discussed on December...
Production Committees – Understanding the Anime Business Model
Today, as sakuga discourse has become increasingly prevalent within anime fandom, more people have become aware of anime's production process and some of the business behind it, notably the concept of "production committees." Inside and outside Japan, these mysterious...
New Rock and Happy End – Origins of Japanese Rock
Japanese Rock and Pop music has, through the 21st century, become an undoubtedly global phenomenon with genres like J-Pop, J-Rock reaching foreign audiences, and in more recent years, genres like City Pop getting a newfound appreciation with international audiences...
The talents of French Animation
Japanese animation holds a special place in the world scene and among fandoms for its diversity and championing of 2D animation techniques. This is very justified and has only become a stronger tendency now that an increasing number of animation creators outside Japan...
![From Daicon IV to Mad Max – Interview with Mahiro Maeda [Archive, July 2016]](https://fullfrontal.moe/wp-content/uploads/2021/11/MahiroMaeda_shineva-400x250.jpg)
From Daicon IV to Mad Max – Interview with Mahiro Maeda [Archive, July 2016]
While I was looking through some files, I stumbled upon the audio to this interview I did five years ago, in 2016, and realized I had never released it. Mahiro Maeda had come to France to promote Studio Khara's 10th anniversary, and as such, I and a few other peers,...
Belle: Mamoru Hosoda’s Most International Film
Mamoru Hosoda has truly become "the new Miyazaki." By that, I do not mean that he is or has become Hayao Miyazaki's heir or that his work follows up on that of the studio Ghibli director. Rather, I mean that Hosoda has taken Miyazaki's place in Western film discourse:...
Nightmare made film: Phil Tippet’s Mad God
Mad God is a nightmare-made film. Quite literally so, as director Phil Tippett, one of the most renowned animators and special effects artists in American film history, confessed that his long-awaited movie was inspired by a nightmare he repeatedly made as a child. It...